Gavin Jantjes: To Be Free! A Retrospective 1970 – 2023

  • A room filled with figurative paintings by Gavin Jantjes

    Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Installation view, Whitechapel Gallery, 2024.Courtesy Whitechapel Gallery / Photo: Damian Griffiths

  • Paintings side by side. One of a man sat in a chair, one of a saxaphone flying above a pyramid

    Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Installation view, Whitechapel Gallery, 2024.Courtesy Whitechapel Gallery / Photo: Damian Griffiths

  • Installation shot showing two paintings by Gavin Jantjes

    Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Installation view, Whitechapel Gallery, 2024.Courtesy Whitechapel Gallery / Photo: Damian Griffiths

  • Sceenprints by artist Gavin Jantjes

    Gavin Jantjes: To Be Free! A Retrospective 1970–2023, Installation view, Whitechapel Gallery, 2024.Courtesy Whitechapel Gallery / Photo: Damian Griffiths

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Past Exhibition


This exhibition was on 12 Jun - 1 Sep 2024

Access Information

Gavin Jantjes Edition

Gavin Jantjes Edition

Succlent Night (2024)

GJ_1977_FREEDOM_HUNTERS_DSC_2535ed

Talk: To Be Free? Art and the Politics of Liberation

Sat 6 Jul, 2 -5.30pm

Gavin Jantjes lunch & PV-11.06.24_Dan Weill Photography-150

BSL Tour: Gavin Jantjes

Thu 15 Aug, 6.30-7.30pm

Exhibition
Gavin Jantjes: To Be Free! A Retrospective 1970 – 2023

★★★★  ‘Fierce and subtle’The Observer

★★★★ ‘Seething anger is cradled within beautiful images’ The Arts Desk

This timely retrospective of Oxfordshire-based South African painter and printmaker Gavin Jantjes (b. 1948, South Africa) is his largest solo presentation in the UK to date. It brings together more than five decades of the artist’s diverse and distinctive practice.

Through over 100 prints, drawings, and paintings, as well as archival material, the exhibition celebrates Jantjes as a significant and critical agent of change while tracing his development as a painter, printmaker, writer, curator and activist.

Structured into chapters spanning 1970 to the present, To Be Free! focuses on pivotal phases in Jantjes’s life, from his formative years in Cape Town during the early years of South African apartheid (1948–1994), his transformative role at art institutions in the UK, Germany and Norway, his compelling figurative portrayals of the global Black struggle for freedom, to his recent transition to non-figurative painting. Jantjes’ journey embodies a quest for artistic emancipation, marked by a search for an autonomous form, freed from Eurocentric traditions and expectations of Black creativity.

The exhibition also focuses on Jantjes’ influence on the cultural landscape of London. His anti-apartheid print series A South African Colouring Book was shown at the ICA in1976, and his role as both exhibiting artist and co-curator in the ground-breaking 1986 Whitechapel Gallery exhibition From Two Worlds cemented his position as a major voice in the UK’s arts scene.

Importantly, 2024 marks the 30th anniversary of the first free general election in South Africa, resulting in Nelson Mandela’s eventual presidency. Jantjes returned to South Africa in 1994 to participate in the momentous event after spending over twenty years in exile from his home country.  It was his active critique of the oppression and discrimination faced under the leadership of the Afrikaner Nationalist Party that rendered him exiled, with his entire artistic and academic career censored.

To be Free! provides an unprecedented opportunity for audiences, especially those new to his work, to recognise and explore the full breadth of Jantjes’ career and his leading role in furthering the discourses around and representation of Africa and its diasporas.

Gavin Jantjes: To Be Free! A Retrospective 1970–2023 is organised by Whitechapel Gallery and Sharjah Art Foundation, in collaboration with The Africa Institute, Sharjah. Curated by Salah M. Hassan. Presentation at Whitechapel Gallery is curated in collaboration with Gilane Tawadros and Cameron Foote.

Read the full exhibition press release.

 


Generously supported by:

Cockayne – Grants for the Arts: a donor advised fund held at The London Community Foundation

Research for this exhibition has been supported by the Paul Mellon Centre for Studies in British Art

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