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Book NowThu 5 Dec, 6.30pm
Gallery 2
| Monday | Closed |
| Tuesday | 11am–6pm |
| Wednesday | 11am–6pm |
| Thursday | 11am–9pm |
| Friday | 11am–6pm |
| Saturday | 11am–6pm |
| Sunday | 11am–6pm |
The Whitechapel Gallery is committed to making all of our events as accessible as possible for every audience member. Please contact access@whitechapelgallery.org if you would like to discuss a particular request and we will gladly discuss with you the best way to accommodate it.
– Information about access on site at the gallery is available here https://www.whitechapelgallery.org/visit/access/
– This includes information about Lift access; Borrowing wheelchairs & seating; Assistance Animals; Parking; Toilets and baby care facilities; Blind & Partially Sighted Visitors; Subtitles and transcripts; British Sign Language (BSL) and hearing induction loops; Deaf Messaging Service (DMS).
About This Event
– This event takes place in Gallery 2 at Whitechapel Gallery, which is on the ground floor.
– You must purchase a ticket to attend the event. Concession tickets are available. If you require a Personal Assistant to support your attendance, we can offer them a seat free of charge, but it must be arranged in advance.
– If the ticket price affects your attendance, please email tickets@whitechapelgallery.org to be added to the guest list (no questions asked, but dependent on availability).
– This event is suitable for those over the age of 18
– We are unable to provide live closed captioning or CART for this event.
– This event lasts approximately 1 hour (8pm-9pm). There are no rest breaks currently scheduled.
Transport
– To the best of our knowledge, there are no planned disruptions to local transport on the date of the event.
– Our nearest train station – Aldgate East Underground (1 min) is not wheelchair accessible. The closest wheelchair accessible stations are Whitechapel (15 min), Shoreditch High Street (15 min) or Liverpool Street (15 min).
– Free parking for Blue Badge holders is available at the top of Osborn Street in the pay and display booths for an unlimited period. Spaces are available on a first come, first served basis.
Medusa, a child of the old gods, the only mortal gorgon, a hybrid being, a monster, is just another gorgeous girl that became a casualty of power games. Her image continues to evoke primal emotions of fear and rage in contemporary culture. Her severed head, a protective talisman meant to ward off evil, is a symbol of victim’s wrath and of luxury fashion.
Gorgeous is an experimental poetic ritual that retells the story of a gorgeous girl turned monster. Composed live in collaboration with experimental musician Ana Tiene (F*choir, Trouble Wanted), Gorgeous explores narratives of power, desire and trauma, through text, film and sound.
Gorgeous is the second iteration of a series of expanded poetry, performances and texts by 2024 Writer in Residence Daniella Valz Gen that reclaim, reimagine and embody mythological characters that have been othered, misunderstood or misrepresented.
Find out more about Daniella’s residency here.
Process-led, Daniella Valz Gen’s work explores poetic experience through different forms of reading, writing, performing and making. They’re invested in a relational and responsive approach to land, place, and the other-than-human. Born in Peru and based in London, Valz Gen’s work highlights the interstices between languages, cultures and value systems as areas where potential new meanings can arise.
(Be)longing (2019) realised site-specific landscape interventions examining migration and ecology in post Brexit Britain. In 2022 Valz Gen took part in the OrganizmoBloom residency, ‘Body, Weaving and Territory’ (British Council/European Alternatives) in an indigenous community in the Amazon, which gave space for an immersive process of evaluation of indigenous technologies, in relation to language, environment and craft.
Valz Gen’s work has been shown at Glasgow International, SPILL Festival, Aichi Triennale, Gropius Bau among others. Subversive Economies, their first poetry collection, was published by PSS Press in 2018. Their writing has been featured in The Happy Hypocrite, Map Magazine, Salt, and others.
Ana Tiene is an experimental self-taught musician trained in traditional Brazilian percussion. Ana works with children, plays drums with iconic queer band Trouble Wanted, and sings with the gender bending F*Choir.
