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Combining live performance, animation and sound, Anthea Hamilton presents a new work created for the Whitechapel Gallery that takes the form of a live film. Structured as a series of real and imagined telephone calls, the piece will be assembled and activated in real time, with a series of playful interventions and interruptions by performers.
Developed on the occasion of the Eduardo Paolozzi exhibition, the piece uses collage and reproduction, sampling broad references from popular culture to mime and classical music.
Anthea Hamilton (b.1978) lives and works in London. Working with sculpture, installation and performance, her works often manipulate and alternate the history and images of popular culture. Recent solo projects include Anthea Hamilton Reimagines Kettle’s Yard, The Hepworth Wakefield; Grasses:The Magazine Sessions, Serpentine Gallery (performanace); Frieze Projects, New York, US; LOVE IV: Cold Shower, Schinkel Pavillon, Berlin (with Nicholas Byrne) (all 2016); Lichen! Libido! Chastity!, Sculpture Center, Long Island City, US (2015) and Sorry I’m Late, Firstsite (2012). Her work has been part of important group shows such as Turner Prize 2016, Tate Britain; British Art Show 8, Hayward Touring; History of Nothing, White Cube (all 2016); La Vie Moderne, 13eme Biennale de Lyon, FR (2015); Terrapolis, Neon and the Whitechapel Gallery (2015) and Burning Down The House: 10th Gwangju Biennale, Gwangju, KO (2015).
