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The Whitechapel Gallery is committed to making all of our events as accessible as possible for every audience member. Please contact access@whitechapelgallery.org if you would like to discuss a particular request and we will gladly discuss with you the best way to accommodate it.
– Information about access on site at the gallery is available here https://www.whitechapelgallery.org/visit/access/
– This includes information about Lift access; Borrowing wheelchairs & seating; Assistance Animals; Parking; Toilets and baby care facilities; Blind & Partially Sighted Visitors; Subtitles and transcripts; British Sign Language (BSL) and hearing induction loops; Deaf Messaging Service (DMS).
About This Event
– This event takes place in the Zilkha Auditorium at Whitechapel Gallery, which is on the ground floor.
– You must purchase a ticket to attend the event. Concession tickets are available. If you require a Personal Assistant to support your attendance, we can offer them a seat free of charge, but it must be arranged in advance.
– If the ticket price affects your attendance, please email tickets@whitechapelgallery.org to be added to the guest list (no questions asked, but dependent on availability).
– This event is suitable for those over the age of 16
– We are unable to provide British Sign Language interpretation for this event
– We are unable to provide live closed captioning or CART for this event.
– This event last approximately 1.5 hours. There are no rest breaks currently scheduled during this event.
– An audio recording of the event can be obtained by emailing publicprogrammes@whitechapelgallery.org following the event.
Transport
– To the best of our knowledge, there are no planned disruptions to local transport on the date of the event.
– Our nearest train station – Aldgate East Underground (1 min) is not wheelchair accessible. The closest wheelchair accessible stations are Whitechapel (15 min), Shoreditch High Street (15 min) or Liverpool Street (15 min).
– Free parking for Blue Badge holders is available at the top of Osborn Street in the pay and display booths for an unlimited period. Spaces are available on a first come, first served basis.
Live Recording
Please note: we audio record all events for the Whitechapel Gallery Archive. This audio material may also be used for our Hear, Now podcast series.
Join an evening of readings by poets Lotte L.S., Mira Mattar, Lotta Thießen and Dom Hale to celebrate the launch of THIS ENERGY WASTED BY FLIGHT – a new publication of poetry and prose by Lotte L.S. published by Pamenar Press, and accompanied by a German translation by Lotta Thießen.
Drawing on a range of influences including Anna Mendelssohn, the book attempts to both unravel and complicate the she that speaks: gendered experience and its relationship to fragmented memory and the violence of narrative time; to sexual violence; to surveillance and grief; to solitude and collectivity; to song and dissent.
Oscillating between the gestures of daily experience, and the political and social conditions that shape it, both unflinchingly utopian and wildly sceptical in its outlook, THIS ENERGY WASTED BY FLIGHT— attempts to write through the continual negotiation between the desire to speak and the desire to keep your mouth shut, all the time chasing what it means to live out one’s political convictions through poetry, and through life.
Lotte L.S. is a poet living in the town of Great Yarmouth, England. Her writing includes a pamphlet with Tripwire, titled, A town, three cities, a fig, a riot, two blue hyacinths, three beginnings, five letters, a “death”, two solitudes, façades, four loose dogs, a doppelgänger, a likeness, three airport floors, thirty-six weeks…; translations of the Moroccan poet and Marxist feminist Saïda Menebhi, who died on hunger strike in prison in 1977, with See Red Press; and shorter self-published pamphlets of poetry such as untitled (Iceland), and TWELVE DAYS OF 21st CENTURY RAIN. From 2020, she ran the poetry reading series no relevance in Great Yarmouth, and founded red herring press, to print, publish and distribute local writing in the town.
Lotta Thießen grew up in Portugal and now lives in Berlin. Between 2015 and 2022 she co-organized the reading and publication series artiCHOKE for which she translated contemporary poetry from Portuguese, German and English into German and English and wrote critical texts contextualising the works. She is a founding member of Gegensatz Translation Collective. Her latest chapbook “Fragments of Baby” was published by Materialien (Munich) in 2019.
Mira Mattar writes fiction and poetry. She wrote Yes, I Am A Destroyer (2020), Affiliation (2021) and The Bow (2021). A new chapbook, And most of all I would miss the shadows of the tree’s own leaves cast upon its trunk by the orange streetlight in the sweet blue darks of spring, is forthcoming from Veer2. She has had work published in Granta, The Chicago Review, Berfrois and elsewhere. She regularly reads her work in the UK and abroad. Mira lives and works in London.
Dom Hale’s most recent book of poetry is called Faint Portal (out from Distance No Object). He is currently co-editing the magazine Ludd Gang and helping to organise a hardship fund for poets in the U.K., and he co-runs the occasional poetry press and reading series Just Not.
